‘Oppenheimer’ dominates Oscar nominations

This image released by Universal Pictures shows Cillian Murphy in a scene from "Oppenheimer." (Universal Pictures via AP)

NEW YORK (AP) — After a tumultuous movie year marked by strikes and work stoppages, the Academy Awards showered nominations Tuesday on Christopher Nolan’s blockbuster biopic, “Oppenheimer,” which came away with a leading 13 nominations.

Nolan’s three-hour opus, viewed as the best picture frontrunner, received nods for best picture and Nolan’s direction; acting nominations for Cillian Murphy, Robert Downey Jr. and Emily Blunt; and multiple honors for the sweeping craft of the J. Robert Oppenheimer drama.

Reached by phone Tuesday morning in Los Angeles, Emma Thomas, Nolan’s wife and producing partner, said she woke up to a flurry of congratulatory messages and then roused Nolan with the news.

This combination of images shows Margot Robbie in a scene from "Barbie," left, and Cillian Murphy in a scene from "Oppenheimer." (Warner Bros Pictures/Universal Pictures via AP)
This image released by Searchlight Pictures shows Emma Stone in a scene from "Poor Things." (Searchlight Pictures via AP)
This image released by Warner Bros. Pictures shows Ryan Gosling, left, and Margot Robbie in a scene from "Barbie." (Warner Bros. Pictures via AP)

“Don’t take it as being blase,” Nolan told The Associated Press, laughing. “We just didn’t want to jinx anything.”

Though Nolan is regarded as the big-canvas auteur of his era, he’s never won an Academy Award — nor have any of his films won best picture. This, though, could be his year. Reflecting on the rarity of his film’s success — a lengthy drama dense with talk and the convulsions of history that nevertheless grossed nearly $1 billion — Nolan called Oppenheimer “one of the great American stories.”

“I grew up loving Hollywood movies and believing studio filmmaking can take on anything,” said Nolan. “Seeing audiences respond to that this summer was incredibly thrilling and getting this kind of recognition from the academy, I don’t know what to say, really. It certainly confirms our faith in what studio filmmaking can be.”

The year’s biggest hit, “Barbie,” came away with a nominations haul slightly less than its partner in Barbenheimer mania.Greta Gerwig’s feminist comedy, with more than $1.4 billion in ticket sales, was nominated for eight awards, including best picture; Ryan Gosling for best supporting actor; and two best song candidates in “What Was I Made For” and “I’m Just Ken.”

Gerwig was surprisingly left out of the best director field. She was nominated for best director in 2018 for her solo directorial debut, “Lady Bird.” At the time, Gerwig was just the fifth woman nominated for the award. Since then, Chloé Zhao (“Nomadland”) and Jane Campion (“The Power of the Dog”) have won best director. Before those wins, Kathryn Bigelow (“The Hurt Locker,” in 2010) was the only woman to win the Oscar’s top filmmaking honor.

Both Yorgos Lanthimos’ Frankenstein riff “Poor Things” and Martin Scorsese’s Osage epic “Killers of the Flower Moon” were also widely celebrated, with 11 and 10 nods apiece.

Lily Gladstone, star of “Killers of the Flower Moon,” became the first Native American nominated for best actress. For the 10th time, Scorsese was nominated for best director. Leonardo DiCaprio, though, was left out of best actor. The late Robbie Robertson, who died in August, also became the first Indigenous person nominated for best score.

“It happens to be that I’m carrying this honor right now (but) it’s all so long overdue,” Gladstone said by phone from Pawhuska, Oklahoma, where she traveled to be close to her character. “It’s a real moment of restoration, placing Indigenous talent in these roles, spotlighting their humanity, their their characters, just the way that all of the sisters exist on screen, I think is shattering a lot of stereotypes people have about Indigenous women, particularly Native American women.”